Igael Tumarkin was born in 1933 in Dresden, Germany. Immigrated to Israel in 1935. He studied art with the sculptor Rudi Lehman at Ein Hod, and in 1955 returned to Germany where he worked at the Berliner Ensemble with Bertolt Brecht. He worked in Europe until 1961 as a sculptor and set designer. His travels took him to Africa, the Near and Far East, and to the USA, where he lived for several years. Since the end of the Seventies he has been living and working in Tel Aviv.
The artist has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones and Robert Rauschenberg began to engage in printmaking.
Tumarkin prints of the sixties were at crossroads between Abstract Expressionism and Pop Art, and between Pop Art and abstract movements that followed. In addition, he was influenced by the Surrealism and Dada movements whose impact was expressed in the combination of free brushstrokes and drip paintings together with the use of such materials as newspaper cuttings, photographs and junk.
He has participated in various international exhibitions, and won many awards. His works are displayed in private collections and in museums both in Israel and abroad.
IGAEL TUMARKIN
Igael Tumarkin was born in 1933 in Dresden, Germany. Immigrated to Israel in 1935. He studied art with the sculptor Rudi Lehman at Ein Hod, and in 1955 returned to Germany where he worked at the Berliner Ensemble with Bertolt Brecht. He worked in Europe until 1961 as a sculptor and set designer. His travels took him to Africa, the Near and Far East, and to the USA, where he lived for several years. Since the end of the Seventies he has been living and working in Tel Aviv.
The artist has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones and Robert Rauschenberg began to engage in printmaking.
Tumarkin prints of the sixties were at crossroads between Abstract Expressionism and Pop Art, and between Pop Art and abstract movements that followed. In addition, he was influenced by the Surrealism and Dada movements whose impact was expressed in the combination of free brushstrokes and drip paintings together with the use of such materials as newspaper cuttings, photographs and junk.
He has participated in various international exhibitions, and won many awards. His works are displayed in private collections and in museums both in Israel and abroad.
IGAEL TUMARKIN
Igael Tumarkin was born in 1933 in Dresden, Germany. Immigrated to Israel in 1935. He studied art with the sculptor Rudi Lehman at Ein Hod, and in 1955 returned to Germany where he worked at the Berliner Ensemble with Bertolt Brecht. He worked in Europe until 1961 as a sculptor and set designer. His travels took him to Africa, the Near and Far East, and to the USA, where he lived for several years. Since the end of the Seventies he has been living and working in Tel Aviv.
The artist has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones and Robert Rauschenberg began to engage in printmaking.
Tumarkin prints of the sixties were at crossroads between Abstract Expressionism and Pop Art, and between Pop Art and abstract movements that followed. In addition, he was influenced by the Surrealism and Dada movements whose impact was expressed in the combination of free brushstrokes and drip paintings together with the use of such materials as newspaper cuttings, photographs and junk.
He has participated in various international exhibitions, and won many awards. His works are displayed in private collections and in museums both in Israel and abroad.
IGAEL TUMARKIN
Igael Tumarkin was born in 1933 in Dresden, Germany. Immigrated to Israel in 1935. He studied art with the sculptor Rudi Lehman at Ein Hod, and in 1955 returned to Germany where he worked at the Berliner Ensemble with Bertolt Brecht. He worked in Europe until 1961 as a sculptor and set designer. His travels took him to Africa, the Near and Far East, and to the USA, where he lived for several years. Since the end of the Seventies he has been living and working in Tel Aviv.
The artist has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones and Robert Rauschenberg began to engage in printmaking.
Tumarkin prints of the sixties were at crossroads between Abstract Expressionism and Pop Art, and between Pop Art and abstract movements that followed. In addition, he was influenced by the Surrealism and Dada movements whose impact was expressed in the combination of free brushstrokes and drip paintings together with the use of such materials as newspaper cuttings, photographs and junk.
He has participated in various international exhibitions, and won many awards. His works are displayed in private collections and in museums both in Israel and abroad.
IGAEL TUMARKIN
Igael Tumarkin was born in 1933 in Dresden, Germany. Immigrated to Israel in 1935. He studied art with the sculptor Rudi Lehman at Ein Hod, and in 1955 returned to Germany where he worked at the Berliner Ensemble with Bertolt Brecht. He worked in Europe until 1961 as a sculptor and set designer. His travels took him to Africa, the Near and Far East, and to the USA, where he lived for several years. Since the end of the Seventies he has been living and working in Tel Aviv.
The artist has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones and Robert Rauschenberg began to engage in printmaking.
Tumarkin prints of the sixties were at crossroads between Abstract Expressionism and Pop Art, and between Pop Art and abstract movements that followed. In addition, he was influenced by the Surrealism and Dada movements whose impact was expressed in the combination of free brushstrokes and drip paintings together with the use of such materials as newspaper cuttings, photographs and junk.
He has participated in various international exhibitions, and won many awards. His works are displayed in private collections and in museums both in Israel and abroad.
IGAEL TUMARKIN
Igael Tumarkin was born in 1933 in Dresden, Germany. Immigrated to Israel in 1935. He studied art with the sculptor Rudi Lehman at Ein Hod, and in 1955 returned to Germany where he worked at the Berliner Ensemble with Bertolt Brecht. He worked in Europe until 1961 as a sculptor and set designer. His travels took him to Africa, the Near and Far East, and to the USA, where he lived for several years. Since the end of the Seventies he has been living and working in Tel Aviv.
The artist has worked extensively in the medium of printmaking, producing over three hundred prints. He was encouraged by the print studios founded during those years in the USA, where prominent artists such as Jasper Jones and Robert Rauschenberg began to engage in printmaking.
Tumarkin prints of the sixties were at crossroads between Abstract Expressionism and Pop Art, and between Pop Art and abstract movements that followed. In addition, he was influenced by the Surrealism and Dada movements whose impact was expressed in the combination of free brushstrokes and drip paintings together with the use of such materials as newspaper cuttings, photographs and junk.
He has participated in various international exhibitions, and won many awards. His works are displayed in private collections and in museums both in Israel and abroad.
IGAEL TUMARKIN
Menashe Kadishman was an Israeli sculptor, painter, and graphic artist best known for his colorful paintings of sheep and large-scale metal sculptures. Kadishman’s youth as a shepherd at a kibbutz informed the sheep motif found throughout his work.
​
Born on August 21, 1932 in Tel Aviv, Israel, he studied under Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv before moving to London in 1959, where he studied at St. Martin’s School of Art and the Slade School of Art. The artist’s work from immediately after art school in London was heavily indebted to the aesthetics of Minimalist sculpture. He has also cited Henry Moore as one of his biggest influences. Kadishman died on May 8, 2015 in Ramat Gan, Israel.
Today, his works are in the collections of the Storm King Art Center in Mountainville, NY, the Jewish Museum in New York, the Nasher Sculpture Center in Dallas, and the Tel Aviv Museum of Art, among others.
Menashe Kadishman
Menashe Kadishman was an Israeli sculptor, painter, and graphic artist best known for his colorful paintings of sheep and large-scale metal sculptures. Kadishman’s youth as a shepherd at a kibbutz informed the sheep motif found throughout his work.
​
Born on August 21, 1932 in Tel Aviv, Israel, he studied under Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv before moving to London in 1959, where he studied at St. Martin’s School of Art and the Slade School of Art. The artist’s work from immediately after art school in London was heavily indebted to the aesthetics of Minimalist sculpture. He has also cited Henry Moore as one of his biggest influences. Kadishman died on May 8, 2015 in Ramat Gan, Israel.
Today, his works are in the collections of the Storm King Art Center in Mountainville, NY, the Jewish Museum in New York, the Nasher Sculpture Center in Dallas, and the Tel Aviv Museum of Art, among others.
Menashe Kadishman
Menashe Kadishman was an Israeli sculptor, painter, and graphic artist best known for his colorful paintings of sheep and large-scale metal sculptures. Kadishman’s youth as a shepherd at a kibbutz informed the sheep motif found throughout his work.
​
Born on August 21, 1932 in Tel Aviv, Israel, he studied under Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv before moving to London in 1959, where he studied at St. Martin’s School of Art and the Slade School of Art. The artist’s work from immediately after art school in London was heavily indebted to the aesthetics of Minimalist sculpture. He has also cited Henry Moore as one of his biggest influences. Kadishman died on May 8, 2015 in Ramat Gan, Israel.
Today, his works are in the collections of the Storm King Art Center in Mountainville, NY, the Jewish Museum in New York, the Nasher Sculpture Center in Dallas, and the Tel Aviv Museum of Art, among others.
Menashe Kadishman
Menashe Kadishman was an Israeli sculptor, painter, and graphic artist best known for his colorful paintings of sheep and large-scale metal sculptures. Kadishman’s youth as a shepherd at a kibbutz informed the sheep motif found throughout his work.
​
Born on August 21, 1932 in Tel Aviv, Israel, he studied under Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv before moving to London in 1959, where he studied at St. Martin’s School of Art and the Slade School of Art. The artist’s work from immediately after art school in London was heavily indebted to the aesthetics of Minimalist sculpture. He has also cited Henry Moore as one of his biggest influences. Kadishman died on May 8, 2015 in Ramat Gan, Israel.
Today, his works are in the collections of the Storm King Art Center in Mountainville, NY, the Jewish Museum in New York, the Nasher Sculpture Center in Dallas, and the Tel Aviv Museum of Art, among others.
Menashe Kadishman
Menashe Kadishman was an Israeli sculptor, painter, and graphic artist best known for his colorful paintings of sheep and large-scale metal sculptures. Kadishman’s youth as a shepherd at a kibbutz informed the sheep motif found throughout his work.
​
Born on August 21, 1932 in Tel Aviv, Israel, he studied under Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv before moving to London in 1959, where he studied at St. Martin’s School of Art and the Slade School of Art. The artist’s work from immediately after art school in London was heavily indebted to the aesthetics of Minimalist sculpture. He has also cited Henry Moore as one of his biggest influences. Kadishman died on May 8, 2015 in Ramat Gan, Israel.
Today, his works are in the collections of the Storm King Art Center in Mountainville, NY, the Jewish Museum in New York, the Nasher Sculpture Center in Dallas, and the Tel Aviv Museum of Art, among others.
Menashe Kadishman
K1
34 x 33 cm
Hand Signed Silkscreen
Edition of 150
our artists
SHMUEL TEPLER
SHMUEL TEPLER
Menashe Kadishman
Menashe Kadishman
​
K2
34 x 33 cm
Hand Signed Screenprint
Edition of 150
Menashe Kadishman
​
K2
34 x 33 cm
Hand Signed Screenprint
Edition of 150
Menashe Kadishman
​
K2
34 x 33 cm
Hand Signed Screenprint
Edition of 150
Menashe Kadishman
​
K1
34 x 33 cm
Hand Signed Screenprint
Edition of 150
Menashe Kadishman
​
K2
34 x 33 cm
Hand Signed Screenprint
Edition of 150
Mustique Diary, 1999
Stephan Sczcesny
61 x 80.5 cm
Screen print on paper
Hand signed and numbered
​Ref. N°: 242
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Mustique Diary, 1999
Stephan Sczcesny
61 x 80.5 cm
Screen print on paper
Hand signed and numbered
Ref. N°: 241
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Tiberias
Shlomo Katz
56.5 x 76 cm
Screen print on paper
Hand signed and numbered
Reference Number: 373
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Untitled
Michael Eisemann
74.5 x 54 cm
Screen print on paper
Hand signed and numbered
Reference Number: 375
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Untitled
Israel Paldi
48.5 x 61.5 cm
Screen print on paper
Hand signed and numbered
Reference Number: 377
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​
Untitled
Israel Paldi
48.5 x 61.5 cm
Screen print on paper
Hand signed and numbered
Reference Number: 379
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​
Untitled
Aharon Giladi
49 x 49.5 cm
Screen print on paper
Hand signed and numbered
Reference Number: 381
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Untitled
Daniel Gerr
68 x 49 cm
Screen print on paper
Edition 275
Hand signed and numbered
Reference Number: 239
Flowers on Stripes, 1999
Stephan Sczcesny
160 x 120 cm
Screen print on paper
Hand signed and numbered
Ref. N°: 248
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The eyes of Mandalay (Mustique Diary), 1999
Stephan Sczcesny
60 x 80 cm
Screen print on paper
Hand signed and numbered
Ref. N°: 246
Learn More
Mustique Diary, 1999
Stephan Sczcesny
61 x 80.5 cm
Screen print on paper
Hand signed and numbered
​Ref. N°: 244
Learn More
Mustique Diary, 1999
Stephan Sczcesny
61 x 80.5 cm
Screen print on paper
Hand signed and numbered
Ref. N°: 243
Learn More
Neve Tzedek
Avigdor Stematsky
50 x 59 cm
Screen print on paper
Hand signed and numbered
Reference Number: 374
Learn More
Jerusalem
Moshe Castel
64 x 46 cm
Screen print on paper
Hand signed and numbered
Reference Number: 376
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Untitled
Arielli
50 x 65 cm
Screen print on paper
Hand signed and numbered
Reference Number: 378
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Landscape, 2007
Juhani Palmu
60 x 77.5 cm
Screen print on paper
Hand signed and numbered
Reference Number: 380
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Neve Tzedek
Siona Tagger
50 x 54.5 cm
Screen print on paper
Hand signed and numbered
Reference Number: 382
Learn More
Untitled
Daniel Gerr
68 x 49 cm
Screen print on paper
Edition 275
Hand signed and numbered
Reference Number: 240
Nude on Red Stripes, 1999
Stephan Sczcesny
160 x 120 cm
Screen print on paper
Hand signed and numbered
Ref. N°: 247
Learn More
Blue Window (Mustique Diary), 1999
Stephan Sczcesny
60 x 80 cm
Screen print on paper
Hand signed and numbered
Ref. N°: 245
Learn More
Untitled
Jean Miotte
40 x 40 cm
Edition of 199
Screen print on paper
Hand signed and numbered
Ref. N°: 140
Untitled
Jean Miotte
40 x 40 cm
Edition of 199
Screen print on paper
Hand signed and numbered
Ref. N°: 137
Untitled
Jean Miotte
40 x 40 cm
Edition of 199
Screen print on paper
Hand signed and numbered
Ref. N°: 141
Portrait Sml
Shmuel Tepler
31 x 38 cm
Screen print on paper
Edition of 300
Hand signed and numbered
Ref. N°: 135
Untitled
Shmuel Tepler
29 x 38 cm
Screen print on paper
Edition of 300
Hand signed and numbered
Ref. N°: 133